UK-based artist Susanna Bauer has exceptional needlework skills and, we’re guessing, a very gentle touch, that enable her to use dried leaves as a canvas for some of her miniature art pieces.
“Most of my pieces are small sculptural objects often based on found natural materials. I like giving time to the inconspicuous things that surround us and often go unnoticed, paying attention to small details and the tactile quality of objects. Appropriating traditional craft techniques like weaving and crochet as a means of sculpture brings a contemplative element to the development of my work. I am interested in unusual combinations of materials, the experimentation with fragility and strength and the individual stories that evolve and shape themselves in the process of making.”
The next time you find a dried leaf, pick it up and examine just how fragile they are and you’ll be all the more amazed by Susanna Bauer’s beautiful artwork. Visit her website to check out more of her work.
[via Design Taxi]
2:37 am • 3 March 2014 • 17,889 notes
“I tried to paint on canva : fists were paintbrushes & blood was oil.”
This piece is actually my first performance. My aim was to use my body as it really is : a material. So I fused a canva and a piece of waterproof fabric wherein I cut up a circle.
In that way, all I had to do was to hit the canvas with my fists, as hard as possible to paint the circle with my blood. I choose the geometrical form of the circle because in this work, I wanted to show what Man is able to do : From his most vulgar impulses like violence, up to his the most complex reasoning ability.
I did it during five minutes, I hit the canvas 569 times. I recorded it with a camera.
To my mind, that is what differentiates humans from animals : The competence of thinking before acting and to not yield to the most devouring impulses. I think this is why the Human is so tortured : He is without-cease tug between impulses and Reason.
Picture #1 : My fists some hours after the performance
Picture #2 : My fists two weeks later.
Pictures #3,4,5,6 & 7 : Some frame from the video recording I’ve made.
Picture #8 : The final object.
(Source: aamer-esgrun, via susfishcious)
10:33 pm • 24 February 2014 • 49,688 notes
"Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it’s opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be ‘women’s work’"
A woman’s work is never done
This is so fucking hardcore man!
(Source: craftandmemory, via teap0ts-deactivated20140305)
1:44 pm • 16 February 2014 • 81,145 notes
I may seem to be all flowers on the surface, but if you dig deeper, I am even more flowers
4:48 am • 25 January 2014 • 26,543 notes
Nicole Andrijevic & Tanya Schultz - Sweet, Sweet Galaxy (2011) - sugar, pigment, polystyrene, wax, modeling clay, paper, plastic, found objects, wire, beads, glitter, and sound
7:23 pm • 13 January 2014 • 120,909 notes
Strange Beauties by Jen Mann | Tumblr
STRANGE BEAUTIES OPEN FEB 20 - MARCH 23, 2013 @ NSC - IN TORONTO
(Source: showslow, via menameisntrio)
7:53 pm • 18 December 2013 • 42,930 notes
Alexandra Levasseur - 1: Dancer II, 2013 Acrylics, Pencils on Panel 2: Oursin, 2013 Acrylics, Colored Pencils on Paper 3: Shot In The Foot, 2013 Acrylics, Colored Pencils on Paper 4: Terrain Inconnu, 2013 Acrylics, Colored Pencils on Paper 5: Eaux Troubles, 2013 Acrylics, Colored Pencils on Paper 6: Dancer III, 2013 Acrylics, Pencils on Paper
(Source: alexandralevasseur.com, via mossydog)
9:15 pm • 17 December 2013 • 10,486 notes